Narrated by: Ira Glass, Adam Thirlwell, Dave Eggers, Nicole Krauss, George Saunders, Ben Foster,Mathieu Amalric, Aimee Bender, Miranda July, Ben Marcus, Willem Dafoe, Stanley Tucci, John Sayles, Gary Shteyngart, Robert Wisdom, Stella Schnabel, Michael Chabon, Lorin Stein, Rick Moody, Nathan Englander, Scott Shepherd, David Rakoff, Michael Chernus, Shea Wigham, Josh Charles, Michael Buscemi, Neal Stephenson, Mark Duplass, Shalom Auslander, Todd Hasak-Lowy, Josh Radnor, Ira Glass, Jonathan Safran Foer, Etgar Keret
Run Time: 5 hours and 7 minutes
Producer: Macmillan Audio
A man barges into a writer’s house and, holding a gun to his head, demands that he tell him a story, something to take him away from the real world. A pathological liar discovers one day that all the lies he tells come true. A young woman finds a zip in her boyfriend’s mouth, and when she opens it he unfolds to reveal a completely different man inside.
Suddenly a Knock on the Door is at once Keret’s most mature and most playful work yet, and establishes him as one of the great international writers of our time.
I have to say upfront that this book really wasn’t my thing – I would compare it to some of the work by David Sedaris – it takes a (IMHO) a different type of individual to like the short stories put forth – the slices of life (for lack of a better word). Added to that, I think that some of the potency of the stories was lost in translation. In fact, it took me probably a good half of the book to realize that the stories were set in Israel – which kind of changed my opinion of the writing – and it was harder for me to find similarities with some of the stories, because I couldn’t draw on similar experiences. They also seemed really short – since I was listening to the audiobook the vast majority of them didn’t exceed more than about 10 minutes of listening – which is somewhere between 5-15 pages (depending on the speed of the narrator).
My other complaint was actually about the narration. Individually, the narrators were all fine, I don’t really have any complaints – although, I will say that the shortness of the stories, didn’t necessarily allow for them to show their wares when it comes to narration skills – but with each story being as short as it was, and then there being a different narrator for each story – my mind had a hard time processing what was going on. The various narrators weren’t actually described anywhere in the production either – maybe that would have helped me come to terms with the different stories – but I don’t know. Overall, this was a disappointing listening experience – maybe the authors work is better being read than listened…or maybe it would be better with a more limited cast of narrators (rather than the 15-20 that I think it had). I don’t know. All I know, is that I gave it 2.5 stars, and can’t say that I will be in too much of a rush to read/listen to any more of the authors stuff – no matter the accolades he has received.