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Review – Crank – Ellen Hopkins

crankCrank
Author: Ellen Hopkins
Series: #1 in the Crank Trilogy

Description:
This is a story about a monster. Not a dragon or a mythological beast, but a very real, very destructive monster–crystal meth–that takes hold of seventeen-year-old Kristina Snow and transforms her into her reckless alter-ego Bree. Based on her own daughter’s addiction to crystal meth, Ellen Hopkins’ novel-in-verse is a vivid, transfixing look into teenage drug use. Told in Kristina’s voice, it provides a realistic portrayal of the tortured logic of an addict.

Review:
Have you ever picked up a book by an author who has a fairly decent backlist for the first time, and after finishing it, you are like, how the heck have I never read (insert name here) before? That was me and crank/me and Ellen Hopkins. I had routinely seen her books at the library in the YA section, but for some reason, I had never picked them up – maybe it was the idea of poetry, since I am normally not a huge fan…it wasn’t until I managed to need 2 poetry books for a reading challenge, and having Ellen Hopkins recommended to me by a good friend (I now blame her for my addiction), that I picked up Crank…or more specifically, I downloaded the audiobook of Crank to listen to. I was sucked it…

This isn’t the typical poetry that so many of us were “tortured” with in school (and trust me, I think a lot of my distaste comes from those experiences). I was sucked in by the free verse, it was almost at times, like reading a story – the story of Kristina and her addiction to crank (crystal meth)…the transition from her being the good girl to the drug addicted bad girl and the emergence of her alter-ego Bre…there was just something about it – I couldn’t stop listening…

the audiobook itself wasn’t all that long – i think just shy of 4 hours, but considering that it was 4 hours of poetry and I actually listened attentively to the whole thing…lol! I’m pretty sure that I have never listened to anything done by this narrator before – Laura Flanagan – she had the teenage lilt just right…I felt like I was in Kristina/Bre’s shoes…felt her falling into the void created by the crystal meth…it was kind of freaky in a few places…

Personally, I want to say everyone should read this book, but at the same time, i also realize that caution should be given to reading this book. I would advise parents to be prepared to discuss topics with your teen during reading and after, because I’m sure that they will have a lot of questions. But at the same time, I think its something that needs to be read/discussed – because in essence, it isn’t just about drug abuse, its about peer pressure that our teenagers face as they grow up – they wanting to be cool, even for just one minute, even the “cool” kids…I’m interested to see what the other 2 books in the trilogy bring. This is a hard book to rate, but I would probably give it a solid 4 stars, if not 4.5.

 
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Posted by on June 17, 2013 in Audiobook Review

 

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Audiobook Review – October Mourning – Lesléa Newman

the audies

october mourningOctober Mourning: A Song for Matthew Shepard
Author: Lesléa Newman

Narrated By: Emily Beresford, Luke Daniels, Tom Parks, Nick Podehl, Kate Rudd, Christina Traister
Run Time: 1 hr and 19 minutes
Produced by: Candlewick on Brilliance Audio

Description:
On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was lured from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

Review:
I remember being in high school when Matthew Shepard was attacked and died and 1998. It made shock-waves around the world – even my small town in Australia heard about it. Until then I had never really considered hate crimes and the pain they cause. Yes, I had heard of Rodney King and the attack on him – but in my homogenous community, it wasn’t really anything I had experienced or paid attention to. October Mourning was written in response to the attack on Matthew Shepard, and in part, can be used to educate the younger generation on what happened – since for many of them, they likely would not of/never will hear of it – except through something like this book of poetry.

I will say upfront, that poetry, normally isn’t my thing – I read it on rare occasions, but I don’t particularly enjoy it (maybe because I was forced to read it in high school so much). But since the audiobook was short (barely over an hour) – it was a quick/easy listen while I was out running errands one morning. I liked how the author wrote poems not only from the perspective of people involved (the guys who attacked Matthew, the bartending who was the last person to see him; friends and family) – but also animals (like Matthews cat) and inanimate objects (like the fence stake). It was an intriguing approach. The poems were also not poetry, in the normal/expected sense of the word, but rather free verse – some short, some long, lots of emphasis on different words and stylistic choices.

All of the narrators in the audiobook were new to me, with the exception of Kate Rudd. The narrators took turns for the most part with the narration – but there were a few poems where multiple voices were used. There was one (and now, I’m blanking on the title) – that started out with one voice, and one by one the voices joined in until they were narrating in unison, and then slowly died away until only the one voice remained. That poem in particular, gave me goosebumps as I heard it. I enjoyed the diversity of the voices and felt that the director did a good job of matching narration skills with the different perspectives being shown.

This is an audiobook that really made me think and remember, but I have a hard time rating it because of the topic/and the themes. So I am going to leave it unrated. I will say that people may need some tissues handy if you listen to it though. I can see why it was a Stonewall Honor book.

 
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Posted by on May 6, 2013 in Audiobook Review

 

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2013 Armchair Audies – Multi-voiced Performance

Armchair Audies

Since I finished up my first category of nominations for the 2013 Armchair Audies (romance) and there was still a month and a bit before winners are to be annouced (sometime in May, I finished my category up in mid-April). I decided to take a look through the other categories and find one that no one was writing on and see if I could fit those books in prior to the announcement of the winners. I was surprised to see that there were several categories not being represented, and so I opted to do the Multi-Voice Performance Category. This is something totally new to me, I have listened to books with multiple narrators before (normally 2 or 3 – or in the case of The Help, 4). But never to the extend of the books that are being recognized in this category.

The nominations for this category are:
Dracula by Bram Stoker
Narrated by Alan Cumming, Tim Curry, Simon Vance, Katherine Kellgren, Susan Duerden, John Lee, Graeme Malcolm, Steven Crossley, Simon Prebble, and James Adams

My Awesome-Awful Popularity Plan by Seth Rudetsky
Narrated by Seth Rudetsky, Andrea Burns, Paul Castree, Jesse Tyler Ferguson, Josh Gad, Ana Gasteyer, Megan Hilty, Marc Kudisch, Will Swenson, and James Wesley

October Mourning: A Song for Matthew Shepard by Lesléa Newman
Narrated by Emily Beresford, Luke Daniels, Tom Parks, Nick Podehl, Kate Rudd, and Christina Traister

The Privilege of the Sword by Ellen Kushner
Narrated by Ellen Kushner, Barbara Rosenblat, Felicia Day, Joe Hurley, Katherine Kellgren, Nick Sullivan, and Neil Gaiman

Suddenly, a Knock on the Door: Stories by Etgar Keret
Translated by Nathan Englander (translator), Miriam Shlesinger (translator), and Sondra Silverston (translator)
Narrated by Ira Glass, Willem Dafoe, Ben Marcus, Gary Shteyngart, Michael Chabon, Neal Stephenson, Nicole Krauss, and Josh Radnor

That Is All written by John Hodgman
Narrated by Dick Cavett, Patton Oswalt, Jon Hamm, Paul Rudd, Sarah Vowell, Brooke Shields, Scott Adsit, Robin Goldwasser, Jonathan Coulton, John Roderick, Rachel Maddow, Wyatt Cenac, Stephen Fry, Paul F. Tompkins, and Prominent Ragnarok Denier Dr. Elliott Kalan

Initial Thoughts:
It was interesting to see the wide variety of genres presented here, from the classic Dracula to a book of poetry (October Mourning). I was also interested to see that for two of the books, the authors played a role in the narration. I’m looking forward to broadening my reading boundaries and listening to these books.

multivoice narration nominees

 
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Posted by on May 1, 2013 in Armchair Audies

 

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